5/19/2023 0 Comments Guitartec automute cordsInstance using the Octave divider with the analog delay, with theĭelay before the divider in the chain. But I do use other techniques to get feedback, like for I shouted, and I had to turn down the volume to half to stop theįeedback. Iīrought it home and plugged in my Gretsch. Mine for 50$ at Saul Bettlan's Music in Los Angeles in 1967. Back then, everything was lost, you know.TheĬonstruction was always different to a certain degree. I've got ten other Deluxes, but non of them sound like that one.Īll the old Fenders are different, because of different metalĪlloys, and also the cables used in them. Q : Where do you get your feedback? From the gain of the amp, It's technology that doesn't affect the sound, just the To control the channel I'm not using or to adjust the highs hereĪnd there - that's the sort of thing I couldn't do without the Plugged into it, because of the amplification stage. Using affects the channel you are using, even if you're not On a Deluxe, there's one tone buttonĪnd two for the volume. So I have a button for just for thatĬhange of volume position. But at 10 and a half, theĪttack stays the same. ![]() If you go from 12 to 10 and a half, suddenly theĪttack is different. NEIL : No, not without the Whizzer, because it's the only way Q : Could you have recorded Weld with equipment from the I can't use the small Boss pedals.Įach time it's the same thing: «Oh, we're sorry» and the whole Metal switches - NASA quality stuff.I have some remotes to Old: echoplex, analog delay, Mutron octave divider, a Bossįlanger that must be from 1969. I have an effects rack -Īctually not a rack, it's a box full of effects. I've got four of them, so there's no interruption in the sound. Set off, turns all the dials on the amp to the desired setting. This setting pushes a button that, once it's Sets of the motor which actually physically turns the pots, to IĪdjust my settings on the digital controls of the Whizzer, which The pots on my amp are motorized and linked to the Whizzer. Top of my Fender Deluxe Tweed, which is the backbone of my sound. It's unique.totally original,Īnd I'm really happy with it. Has may different elements and controls to it. NEIL : Well actually my amp is a sort of custom assembly. (Note: For more, see interview with guitar tech Larry Cragg about Neil Young's guitars and equipment.) particularly White Falcons, old Explorers, Flying V s. But I also have very nice guitars, greatįor recording and composing. ![]() I think I also wroteįuckin' Up on it, too. Songs on American Dream were written on it. Shape but the action's really bad and the neck isn't too good.Īnd it's always going out of tune. Q : You're talking about an Epiphone acoustic, with the If you're lucky, you'll get a song out of it. That makes you play certainĬhords that you wouldn't play normally, and pushes you towards ![]() Guitar comes with its own history and the feeling of all the To write at least one or two songs with them. Like to always buy second-hand guitars, because I know I'm going For example, I have a Japonese Epiphonie that Generally, I write with very cheap guitarsĪnd not very good. Q : Have you got a favourite guitar.one that you use NEIL : No, I've never broken guitars by playing them. Q : Given the fury of your concerts, you must mistreat your Discusses guitars, amplifiers and equipment. Neil Young Guitars Neil Young Interview on Guitars Guitare & Claviers Magazine (French) April 1992Ī Neil Young interview from "Guitare & Claviers" Avril 1992 (Article translated from French by David Ostrosser).
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